Showing posts with label books. Show all posts
Showing posts with label books. Show all posts

Thursday, January 25, 2018

Download SF Handwriting Font by Sultan Fonts

Download SF Handwriting Font by Sultan Fonts
Download SF Handwriting Font by Sultan Fonts

Download SF Handwriting Font by Sultan Fonts
Download SF Handwriting Font by Sultan Fonts
Download SF Handwriting Font by Sultan Fonts

SF Handwriting font - Say hello to new SF Handwriting font family designed by Sultan M. Saeed, SF Handwriting fonts release at Jan 24, 2018. SF Handwriting is the perfect titling font to complement text faces in magazines, logotypes, etc.

The SF handwriting font family designed for educational and printing purposes, using Pen or pencil. All of the weights were carefully adjusted to each other. Every single letter has been carefully crafted to make your text looks beautiful. Using SF handwriting in small sizes is very convenient.

The typeface SF handwriting contains 3 weights: Regular, bold and black. The Dotted style Designed with straight background for print and overwrite by kids or other users.

SF handwriting font family includes a design that supports Arabic, Latin, Persian, and Urdu, as well as relative numbers for those supported languages. The Font is characterized by clarity, ease and vision as it is a very carefully prepared font to be used in the document so as not to distract the attention of the reader.

Gallery and Sample : http://myfonts.us/u4QtO5


Wednesday, January 17, 2018

Download Fibra One Font by Los Andes

Download Fibra One Font by Los Andes
Download Fibra One Font by Los Andes

Download Fibra One Font by Los Andes
Download Fibra One Font by Los Andes
Download Fibra One Font by Los Andes

Fibra One font - Say hello to new Fibra One font family designed by Jorge Cisterna, Fibra One fonts release at Jan 17, 2018. Fibra One is the perfect titling font to complement text faces in magazines, logotypes, etc.

Fibra One looks like a “soft” version of the Fibra font, but it is actually more than that—the second part of its name suggests that it is a reinterpretation of the original typeface. While this new version maintains the overall structure of Fibra and influence of the Avant Garde font, its shapes are different from those found in its predecessor—Fibra One features both soft corners and smooth transition between curved and straight sections. This gives the font a more dynamic and playful personality.

Fibra One keeps the original contrast between curves and straight lines in glyphs such as ’n’ and ‘h’ (not found in rounded glyphs such as ‘a’ and ‘d’); details of display characters (e.g. three upper terminals in ‘W’ and projection off the stem in ‘A’); and exaggerated terminal in ‘R’. All these features give Fibra One a strong personality—a typeface that ‘gives you the chills’.

Fibra One was specially designed for display use. The font has a very generous x-height that allows for use in corporate text, thanks to its good readability. Fibra One comes with 2 subfamilies—a more ’normal’ Basic family, with a smaller amount of stylistic features, for use in subheadings or any other type of text that requires formality, and an Alt family that shows off the true potential of the font, making it the perfect choice for magazine headlines, posters and logotypes.

Gallery and Sample : http://myfonts.us/Jh1ngq


Monday, December 25, 2017

Download Aldo Manuzio™ Font by RMU

Download Aldo Manuzio™ Font by RMU
Download Aldo Manuzio™ Font by RMU

Download Aldo Manuzio™ Font by RMU
Download Aldo Manuzio™ Font by RMU
Download Aldo Manuzio™ Font by RMU

Aldo Manuzio™ font - Say hello to new Aldo Manuzio™ font family designed by Ralph M. Unger, Aldo Manuzio™ fonts release at Dec 22, 2017. Aldo Manuzio™ is the perfect titling font to complement text faces in magazines, logotypes, etc.

This 1897 Schelter & Giesecke in-house design was carefully redrawn, extended and redesigned for modern usage. It is a remarkable font for book covers, film and video titles, ads and much more. This font contains a ‘long s’ and its ligatures which can be reached by the OTF historical feature and ligatures.

Gallery and Sample : http://myfonts.us/OaSqvM


Sunday, December 17, 2017

Download Ida Font by ParaType

Download Ida Font by ParaType
Download Ida Font by ParaType

Download Ida Font by ParaType
Download Ida Font by ParaType
Download Ida Font by ParaType

Ida font - designed by Maria Kharlamova bring flexibility and beautiful typefaceThis font was designed for attractive design like magazines and logotypes.

Ida is a simple and utilitarian typeface reminiscent of late 19th/early 20th Century grotesques, yet having a warm and friendly nature. Closed apertures and low contrast combined with elegant skeleton of individual characters create an impression of both rationality and comfort. Technically the font is modern and functional but still calls forth the emotion of a valve radio. Ida comes in 18 styles – 6 roman weights with companion italics and 6 narrow widths. One can also benefit from the use of small caps, alternate characters and indices. The typeface was designed by Maria Kharlamova (Selezeneva) and released by ParaType in 2017.

Gallery and Sample : http://myfonts.us/Rhl4dK


Wednesday, December 6, 2017

Download SF Tobba Font by Sultan Fonts

Download SF Tobba Font by Sultan Fonts
Download SF Tobba Font by Sultan Fonts

Download SF Tobba Font by Sultan Fonts
Download SF Tobba Font by Sultan Fonts
Download SF Tobba Font by Sultan Fonts

SF Tobba font - Say hello to new SF Tobba font family designed by Sultan M. Saeed, SF Tobba fonts release at Dec 6, 2017. SF Tobba is the perfect titling font to complement text faces in magazines, logotypes, etc.

Tobba is an Arabic typeface for desktop applications, for websites. Tobba font family is Modern style and contains 3 weights: Regular, bold and black. The font includes support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages. Sultan typeface comes with many opentype features.

Gallery and Sample : http://myfonts.us/ie6r4g


Sunday, December 3, 2017

Download Eldwin™ Font by The Northern Block Ltd

Download Eldwin™ Font by The Northern Block Ltd
Download Eldwin™ Font by The Northern Block Ltd

Download Eldwin™ Font by The Northern Block Ltd
Download Eldwin™ Font by The Northern Block Ltd
Download Eldwin™ Font by The Northern Block Ltd

Eldwin™ font - designed by Ksenia Belobrova bring flexibility and beautiful typefaceThis font was designed for attractive design like magazines and logotypes.

Eldwin is a spirited connected script type family with a friendly demeanour. With two styles of script and capitals designed to complement the other, they combine playfulness with functionality which allows it to perform best in display and headline situations such as menus and packaging, as well as editorial and advertising. The inspiration for Eldwin was drawn from traditional Italian and American sign paintings and began with drawing on paper before being developed into digital media. Details include 6 weights in two styles, featuring alternatives, ligatures and supports both Latin and Cyrillic scripts.

Download :
Gallery and Sample : http://myfonts.us/SmuL8t


Saturday, November 4, 2017

Download Lisbeth Font by TypeTogether

Download Lisbeth Font by TypeTogether
Download Lisbeth Font by TypeTogether

Download Lisbeth Font by TypeTogether
Download Lisbeth Font by TypeTogether
Download Lisbeth Font by TypeTogether

Lisbeth font - designed by Louisa Fröhlich bring flexibility and beautiful typefaceThis font was designed for attractive design like magazines and logotypes.

Louisa Fröhlich’s Lisbeth is the charming all-italic trailblazer that handles branding and text with internal vividness. With no roman style, it’s an italic-only family whose creation was guided by imagination instead of restrictive writing tools. Some type families aren’t sure what they want. Lisbeth proceeds with the utmost confidence on its own terms — it’s a feisty three-dimensional thespian amidst the cast of strait-laced characters you’re used to.

With branding and magazine usage in mind, Lisbeth addresses the distinct challenges of text and display in a characterful way. The curves of the text weights show a soft angularity, emphasising the handwritten quality and the subtle twist inside the letters. The stroke’s carefully balanced contrast is more pronounced in the vibrant heavier weights but almost absent in the graceful structure of the thin weight. The angle of the letters is almost upright and the x-height is relatively large, so longer texts can be read comfortably and without effort. Lisbeth is slightly condensed and so uses a smaller area to efficiently impart much information. So if a type design can be thought of as the clothing letters wear, then Lisbeth is an energetic, freely flowing stroke wrapped around practical and efficient letter proportions.

Another highlight of the family is the quirky high-contrast display style, easily catching every eye. The design concept of the twisted stroke shows at the extreme here and makes the letters dance a little on the page. Even though the shapes behave wildly, every letter is carefully balanced in itself so that the rhythmic repetition of the lettershapes results in an even and harmonic total picture.

Lisbeth’s five text weights (from thin to bold) perform excellently in text settings, and its funky display style amps up the internal shimmer within each glyph. It supports numerous languages (Latin-A extended) and comes with ligatures and contextual alternates to produce beautiful typography. The character set contains proportional lining and oldstyle figures, tabular figures, subscripts, superscripts, and fractions. The complete Lisbeth family, along with our entire catalogue, has been optimised for today’s varied screen uses.

Download :
Gallery and Sample :


Tuesday, October 24, 2017

Download Fibra Font by Los Andes

Download Fibra Font by Los Andes
Download Fibra Font by Los Andes

Download Fibra Font by Los Andes
Download Fibra Font by Los Andes
Download Fibra Font by Los Andes

Fibra font - designed by Jorge Cisterna bring flexibility and beautiful typefaceThis font was designed for attractive design like magazines and logotypes.

The font is actually not a revival of ‘Avant Garde’—by Herb Lubalin—but it takes its spirit. Fibra is a geometric sans serif, yet without the typical structural strictness of these kind of fonts, that represents experimental type design.

This can be seen in the contrast between curves and straight lines in some characters such as ’n’ and ‘h’ unlike rounded ones such as ‘a’ and ‘d’; details of some display characters (e.g. three upper terminals in ‘W’ and projection off the stem in ‘A’); and exaggerated terminal in ‘R’. All these features give Fibra a strong personality—a sans serif typeface that ‘gives you the chills’.

Fibra was specially designed for display use. The font has a very generous x-height that allows for use in corporate text, thanks to its good readability. Fibra comes with 2 subfamilies—a more ’normal’ Basic family, with a smaller amount of stylistic features, for use in subheadings or any other type of text that requires formality, and an Alt family that shows off the true potential of the font, making it the perfect choice for magazine headlines, posters and logotypes.

Gallery and Sample : http://myfonts.us/23lw0b


Thursday, September 28, 2017

Download Gazeta Font by Vanarchiv

Download Gazeta Font by Vanarchiv
Download Gazeta Font by Vanarchiv

Download Gazeta Font by Vanarchiv
Download Gazeta Font by Vanarchiv
Download Gazeta Font by Vanarchiv

Gazeta font - Say hello to new Gazeta font family designed by Ricardo Santos, Gazeta fonts release at Sep 28, 2017. Gazeta is the perfect titling font to complement text faces in magazines, logotypes, etc.

This typeface was designed for editorial purposes (text sizes), where the letterforms contain short serifs (more economical). This font family contains different weights (from Extra Light until to Extra Bold) to create an simple and sequential typographic hierarchy scale. There are two different weights and options designed specifically for text sizes (Regular and Text). The design is classical but contain some contemporary details, which are not distractive for reading, it’s simple and clean at small sizes. This font family include italics, small caps, ligatures, old style and tabular figures.

Gallery and Sample : http://myfonts.us/fJGLxy


Monday, September 25, 2017

Download Wolpe Pegasus™ Font by Monotype

Download Wolpe Pegasus™ Font by Monotype
Download Wolpe Pegasus™ Font by Monotype

Download Wolpe Pegasus™ Font by Monotype
Download Wolpe Pegasus™ Font by Monotype
Download Wolpe Pegasus™ Font by Monotype

Wolpe Pegasus™ font - designed by Toshi Omagari,Berthold Wolpe bring flexibility and beautiful typefaceThis font was designed for attractive design like magazines and logotypes.

Wolpe Pegasus™ is full of surprises. Some characters have oversized serifs, others have very different weights, and some even look inconsistent with the other characters in the set. “This is the typeface that taught me a lesson,” says Toshi Omagari, who revived the design for The Wolpe Collection. “You don’t have to be super-precise in the design of every character, it can still work.” Omagari kept every convention-defying detail of the original Pegasus design, adding only a set of small capitals and an italic for each weight.

Wolpe Pegasus makes for a distinctive text typeface in books, journals and a variety of online content. Each letter looks as if it was honed by hand. Side by side in words and blocks of copy, however, they work beautifully.

Gallery and Sample : http://myfonts.us/D6s1RB


Thursday, September 14, 2017

Download dT Jakob Font by dooType

Download dT Jakob Font by dooType
Download dT Jakob Font by dooType

Download dT Jakob Font by dooType
Download dT Jakob Font by dooType
Download dT Jakob Font by dooType

dT Jakob font - designed by Eduilson Wessler Coan,Gustavo Soares bring flexibility and beautiful typefaceThis font was designed for attractive design like magazines and logotypes.

dT Jakob started as a revival by Gustavo Soares for Paul van der Laan’s class at the Type and Media Masters, in The Hague, NL – back in 2007. There are quite a few excellent geometric sans typefaces available, but we did want to make our contribution and have a fine geometric face to offer. dT Jakob was born out of Erbar, by Jakob Erbar, one of the very first geometric sans, released in metal around 1926. Our goal was to make a versatile typeface, that handles display and text typography beautifully. To achieve that we designed a complete range of weights, matching italics and lots of OpenType Features. Hope you enjoy it :D

Gallery and Sample : http://myfonts.us/HaXEPe


Monday, August 28, 2017

Download Rival Sans Font by Mostardesign

Download Rival Sans Font by Mostardesign
Download Rival Sans Font by Mostardesign

Download Rival Sans Font by Mostardesign
Download Rival Sans Font by Mostardesign
Download Rival Sans Font by Mostardesign

Rival Sans font - Say hello to new Rival Sans font family designed by Olivier Gourvat, Rival Sans fonts release at Aug 28, 2017. Rival Sans is the perfect titling font to complement text faces in magazines, logotypes, etc.

Rival sans is a clean sans serif font family and is characterized by an excellent readability and many contemporary aspect. It provides advanced typographical support with features such as case sensitive forms, small caps, ligatures, alternate characters, fractions, slashed zero, circled figures, pro kerning... Rival sans comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. Rival sans contains 8 weights with corresponding italics and it’s suited for multiple purposes including editorial use, web font, apps, digital ads, ebook, and also for advertising, long text, packaging and branding. As a modern sans serif font family, Rival Sans has true italics to give more style in long texts. It has also an extended character set to support Central and Eastern European as well as Western European languages.

Download :
Gallery and Sample : http://myfonts.us/jsAX8r


Tuesday, August 22, 2017

Download SF Old South Arabian Font by Sultan Fonts

Download SF Old South Arabian Font by Sultan Fonts
Download SF Old South Arabian Font by Sultan Fonts

Download SF Old South Arabian Font by Sultan Fonts
Download SF Old South Arabian Font by Sultan Fonts
Download SF Old South Arabian Font by Sultan Fonts

SF Old South Arabian font - Released by Sultan Fonts and start debut at Aug 17, 2017. SF Old South Arabian font designed by Sultan M. Saeed, this font is perfect choice for your design.

Historical Background Old South Arabian Script (OSA) was used before the Islamic era not only in the southwest corner of the Arabian Peninsula, but actually in the entire Peninsula. In addition, samples of OSA have been found as far as Uruk in Mesopotamia, Delos in Greece, and Giza in Egypt. Archaeological finds show that as far back as the 8th century BCE, OSA was used in trade, religious writing, and in civil records. Following the spread of Islam in Yemen, the decline of OSA began in the 7th century CE as it was gradually supplanted by Arabic script. OSA was typically known by the name of the then-dominant peoples in the Southern Peninsula. At various times, it was known as Sabaean, Qatabani, or Hadramite, among others. Although it was used for a variety of languages, OSA is most strongly associated with Sabaean. Many Peninsular languages borrowed OSA before introducing further changes of their own. Prime examples are the Thamudic, Safaitic, and Lihyanite scripts which eventually developed into independent scripts. The westward migration of the Sabaean people into the Horn of Africa introduced the South Arabian consonantal alphabet into the region. The transplanted script formed the roots of the Geez script of Ethiopia, which, in time and under presumably external influences, developed into a rich syllabary unlike any other Semitic script in history. Even a cursory examination of the letter forms of Modern Ethiopic writing reveal a striking similarity to South Arabian Script. OSA inscriptions typically reveal a dominant right-to-left directionality, although there are also many cases of alternating directions, known as boustrophedon writing. Figure 1 is a fine example of this style of writing. OSA inscriptions were discovered early in the 19th century. Soon thereafter, two orientalists, Gesenius and Rödiger, made great strides towards deciphering the script.

Styles of Writing Old South Arabian inscriptions have survived primarily on stone, ceramic, and metallic surfaces. Hundreds of artifacts have been found and, to this day, continue to be discovered. Some of the best examples number of inscriptions on softer materials, such as wood and leather, have also been discovered. Although there is a significant difference between the styles of letters on the hard surfaces and those on the soft. Old South Arabian (Musnad) is composed of 29 letters , that is one letter more than the Arabic alphabet, which is between “S” and “Sh”, and names “Samekh”. Aspects of difference between Musnad and the present Arabic writing is that Musnad is written in separate letters, and the shape of the letters do not change according to its place in the word. However, some letters change according to the beginning of the writing. Musnad is either prominent, or deep. Prominent writings are for important writings and deep writings are for ordinary. The material on which the Musnad was written were stones, rocks, wood, and metal. In the course of its development the Musnad use appeared in the “Lehyanite’, “Thamudic”, “Safaitic”, pen to which many changes and amendments were made. And from it “Habashi’ writing was born. As regards his place among the Arabs of the Peninsula , when we look at the internet and its role in cultural dialogue , the Arabs of the Peninsula considered Musnad inscription which was indisputably their national writing until the dawn of Islam. It was used by people in all parts of Arabia in their homeland and abroad . It was their means of chronology and record of their glories and history.2- Features of Musnad Script: 1. It is written from right to left and vice versa. 2. Its letters are not joined. 3. Shape of letters are uniform despite their positions in the word. 4. Words are separated by vertical lines. 5. A letter is doubled in case of assertion. 6. No points and punctuations. 7. Easy to be learned by beginners.

My OSA Musnad Font My design and technical work is only a treatment of the OSA Musnad as a symbol of writing. And it is possible to use in computer.. My design is not aimed at demonstrating the linguistic and intellectual structure of the Old South Arabian (Musnad). It is so simple that it could be easy to learn by learners and those who are interested in the OSA Musnad letters in computer. The basis of such importance is that it spares a lot of time and effort for researchers and students in this field. Formerly they used to write the Musnad texts either by handwriting or scan them , But now they can easily write its texts in OSA Musnad by using keyboard directly, so that they can change , amend and fulfill easily and accurately . So, we made use of speed, easiness and accuracy. And anyone interested in the South Arabian history in any part of the world can due to this design read and write OSA Musnad letters most easily. This design will also be used by historians and archeologists. , as well as specialist linguistics . The design also demonstrates the aesthetics of the Himyarit writing.

About this font family Old South Arabian is An Arabic, Old South Arabian and Latin typeface for desktop applications ,for websites, and for digital ads. Old South Arabian font family contains two types: Old South Arabian and Old South Arabian serif. The font includes a design that supports Arabic, Old South Arabian and Latin languages. Old South Arabian typeface comes with many opentype features.

Gallery and Sample : http://myfonts.us/pqXiQP