Showing posts with label big. Show all posts
Showing posts with label big. Show all posts

Monday, March 5, 2018

Download Sortie Super Font by Lewis McGuffie Type

Download Sortie Super Font by Lewis McGuffie Type
Download Sortie Super Font by Lewis McGuffie Type

Download Sortie Super Font by Lewis McGuffie Type
Download Sortie Super Font by Lewis McGuffie Type
Download Sortie Super Font by Lewis McGuffie Type

Sortie Super font - designed by Lewis McGuffie bring flexibility and beautiful typefaceThis font was designed for attractive design like magazines and logotypes.

Sortie Super is a take on one of the kings of display lettering - Caslon’s high-contrast, reversed stress ‘Italian’ style. It looks great at big sizes and in short flurries... and shouldn't be used in confined spaces. 

When compared with the original face, the weight and contrast of Sortie Super has been exaggerated. To add gravity to the letters I've increased their width overall and reduced the spacing to a hair-line fracture for added visual impact. Characters like ‘S’, ‘E’,‘O’ and ‘Z’ are relatively close to their historical precedents - however the terminals on the 'C-G-S-З-Є‘, which have been drawn so to be more consistent. Other aspects, such as the leg of the ‘R’ and ’Я‘, the apex of the ‘A’ and the spur of the ‘G’ are revised and simplified, to help spacing and optical weight across the alphabet. Also, to reduce visual noise terminals in characters like ‘C’, ‘J’ and ‘R’’ are horizontally aligned. Meanwhile, the central horizontal strokes in the ‘B’, ‘P’ and ‘R’ etc are reduced to a hairline, so as to create a more simplified system of thick-to-thin. 

The temptation when drawing this kind of esoteric display alphabet is to start to rely on modular components. Which, while copy-paste-repeat is a sure-fire way to make the face more visually consistent, it’s a lazy method that risks allowing the font become soulless and mechanical. An early experiment I made was making a monospaced version, which was useful in headlines, but it lost that loving feeling. So, by maintaining a handful of flourishes – the tail of the ‘?’, the inky drop of the ‘!’, the bulbous gloop of arms of the 'Ж‘ and ’К', the swirling legs in the ‘R’, 'Я‘ and ’Л', the big-bowling weight of the ‘J’ and ‘U’ – plus a few in-built inconsistencies and a bit of its own silliness, Sortie Super retains some of the organic warmth of its ancestor. Conversely, the counters, apertures and negative space are largely rigidly geometric, which helps give the revival font a bit of a modern touch.

Sortie Super is an uppercase-only display font that comes with Western, Central and East European Latin, extended Cyrillic, Pinyin, as well as a set of hairline graphic features and symbols. 

Gallery and Sample :


Tuesday, January 9, 2018

Download constructor Font by Fontop

Download constructor Font by Fontop
Download constructor Font by Fontop

Download constructor Font by Fontop
Download constructor Font by Fontop
Download constructor Font by Fontop

constructor font - Released by Fontop and start debut at Jan 9, 2018. constructor font designed by Dmitry Arakelov, this font is perfect choice for your design.

Introducing a new bold CONSTRUCTOR font family. Perfect combination of 2 fonts (Light and Shadow) to create your own layered 3D headlines, eye-catching texts, logotypes, design, posters for sports, music, street culture, modern arts, industries and many more other themes. 2 more fonts (Emboss and Regular) have bold 3D effects thanks to their design and shapes. Fonts have extensive Latin multilingual support, uppercase, small-caps, numbers and basic punctuations.

Download :
Gallery and Sample : http://myfonts.us/dQMeAs


Tuesday, November 14, 2017

Download Tusker Grotesk Font by Lewis McGuffie Type

Download Tusker Grotesk Font by Lewis McGuffie Type
Download Tusker Grotesk Font by Lewis McGuffie Type

Download Tusker Grotesk Font by Lewis McGuffie Type
Download Tusker Grotesk Font by Lewis McGuffie Type
Download Tusker Grotesk Font by Lewis McGuffie Type

Tusker Grotesk font - Released by Lewis McGuffie Type and start debut at Nov 14, 2017. Tusker Grotesk font designed by Lewis McGuffie, this font is perfect choice for your design.

Tusker Grotesk is a headline typeface designed for robust and high-impact use. The initial inspiration for Tusker came from postwar typefaces like Haettenschweiler, Impact and Helvetica Inserat which use very high x-heights.

Other influences in the condensed end of the Tusker family are old grotesques like Folio Extra Condensed and Stephenson Blake Elongated Sans No.1 with their flat terminals and closed-up apertures. Then as the widths in Tusker grow, the lettering takes some more inspiration from gothic style sans such as Inland Type’s Title Gothic No.8, while maintaining the optical weight established in the narrow end of the family.

Each width set is duplexed, stackable and is ideal for headlines, logos and bold attention-grabbing editorial design. Tusker has extended latin coverage ideal for western, central and eastern European languages.

Gallery and Sample : http://myfonts.us/t55A9P


Tuesday, August 22, 2017

Download Posh Font by Lián Types

Download Posh Font by Lián Types
Download Posh Font by Lián Types

Download Posh Font by Lián Types
Download Posh Font by Lián Types
Download Posh Font by Lián Types

Posh font - designed by Maximiliano Sproviero bring flexibility and beautiful typefaceThis font was designed for attractive design like magazines and logotypes.

I've always been in love with fat didones. That’s the reason of Posh.

In search of something unique, I started this family back in 2013 with the aim of creating the fattest yet readable bodonian typeface in the market: It was a challenge, because roman fonts need generous counters (or what some call white spaces) and taking them to the extreme of inexistence attempted against the construction of many glyphs. Ears, dots, terminals and serifs always need some extra space so I had to find the exact point of boldness to make characters which have those attributes work well in the middle of those which haven't. (1)

After a while, I felt I was again ‘in my element’: Big contrasted letters, sexy and elegant curves, and that Lubalinesque feeling that characterise my fonts. (2)

Words written with Posh are a explosion of elegance and sensuality due to the fact that its didone attributes were exaggerated. Since it’s full of alternate glyphs, one can change and choose them until a nice block of ‘‘black’’ is achieved. (3)

To accompany the regular style, I designed Posh Inline, a font with the same quantity of glyphs than the regular one; an all caps style called Posh Capitals, and also a really playful Italic version.

I hope you find this one delicious like I do! This font is dedicated to all who understand letters are not just meant to be read, but also to be appreciated in group and individually.

Enjoy it.

NOTES

(1) In example, it can be easy to design a fat letter ‘n’ with almost no counter, but really tough to make a satisfactory letter ‘s’ with serifs to match that ‘n’.

(2) Also, it wasn't my first attempt in fat didones. Take a look at my font Reina, made in 2012.

(3) Posters above show many words with ball terminals that seem to dance above and below the words in order to fill those “undesired” blank spaces.

Download :
Gallery and Sample : http://myfonts.us/BvMR8c